Der Zauberberg

Through an analysis of the scandinavian landscape, Emanuele Torti advances his investigation into the tradition of nordic romantic painting; the places described by his works repropose the solitary nineteenth century contemplation of nature.
The means of intending photography as 'the painting of reality' and the love for the Gothic are an explicit reference to pictorial naturalism of the Pre-Raphaelites: the so-called 'truth to nature', a representation of reality as closely as possible to the truth.

Attraverso un'analisi del paesaggio scandinavo, Emanuele Torti porta avanti le sue ricerche sulla tradizione della pittura romantica nordica; i luoghi che descrivono le sue opere ripropongono la solitaria contemplazione ottocentesca della natura.
Il modo di recepire la fotografia come strumento per dipingere la realtà e l'amore per il gotico si richiamano al naturalismo pittorico dei preraffaelliti: la cosiddetta 'truth to nature', una rappresentazione della realtà il più possibile aderente al vero.

Edited by Ornella Vaiani

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